Casey Donahew

If you build it, they will come. This might be the mantra of one of the greatest baseball movies of all time, ‘”Field Of Dreams,” but it’s also a pretty accurate description of the career of Texas music sensation Casey Donahew.

The Burleson native, (with the help of his wife Melinda,) has painstakingly carved out an impressive niche for himself on the country music scene over the past decade, attracting a solid base of loyal fans who flock to his legendary live shows. Building his career from the ground up one show at a time, he’s managed to perform on countless stages night after night in front of thousands, topped the Texas music charts several times, released four albums independently to critical acclaim, and forged a path all his own through the music scene without the aid or muscle of a major record label or power-suit management company. And the release of his latest CD, “Double Wide Dream,” may just push him to heights he never could have imagined when he first plugged in on stage at the Thirsty Armadillo bar back in Fort Worth’s Stockyards in the Fall of 2002, and began constructing his own field of musical dreams.

Though he seems like a born natural when it comes to performing, Casey actually fell into music gradually. He grew up on a farm the first few years of his life and quickly grew to love riding and team roping, a sport he still enjoys today. His grandfather, who loved to play and sing, gave Casey his first guitar growing up, but it wasn’t until college at Texas A&M that he first began to teach himself to play and really focused on writing songs. A big fan of 80’s and 90’s country, Casey had always admired the storytelling in the songs of that period, and when a wild-eyed Oklahoma boy named Garth Brooks began swinging from the rafters and employing all sorts of crazy, rock show antics during his concerts, Casey was immediately hooked.

“I’ve just always liked the country songs from the 80’s,” says Casey. “It seems like a time when there was a lot of great songwriting going on, and I just enjoy people who can tell a story with a song. And I’ve always been a big Garth Brooks fan, since the beginning. First there was George Strait, and then here came this guy from Oklahoma, Garth Brooks. And you’d see George standing there playing guitar, but then Garth comes along running all over the stage, playing guitar and singing all these songs that he wrote. And the thing I was always most enamored with about Garth was that he wrote most of those songs. He was just one of those guys who did it all. And he started in Stillwater, not too far from the Red Dirt scene. You could really take a lot of Garth Brooks songs and put ‘em on a record of mine, and I think it would fit right in.”

It was during his college days that Casey also discovered another rowdy artist who was forging his own path across the Lonestar state in a big way, Pat Green. When his fraternity hired Pat to play one of their parties back in those early days, Casey was instantly inspired by Pat’s way with a song and his ability to connect with an audience. “Pat Green was really the guy who started it all for me in college. He just did a great job connecting with fans, and later on when we started playing, we really tried to mirror how he did that. He was one of those guys who I thought was a great entertainer, and really told stories that people wanted to hear and could relate to, and I think that’s what made him so popular.”

Transferring to the University of Texas/Arlington, Casey began traveling around with his girlfriend/future wife Melinda to catch shows by Pat, Randy Rogers, Cross Canadian Ragweed, and other acts who were bubbling up just above the surface on the burgeoning Texas music scene at the time. And it wasn’t long before he was testing the waters himself, playing a regular acoustic gig at Fort Worth bar the Thirsty Armadillo, trying out the songs he’d been writing since high school.

“I had moved back and was going to UTA, and just started following some of those guys around,” he recalls. “We’d go see guys like Randy play at the Thirsty Armadillo when he was just starting out and the scene was just barely beginning to go anywhere out here. Pat was selling Billy Bob’s out, and we’d go see him, and Ragweed was just starting to break in that timeframe too.

I had also discovered Matchbox 20 during that time, and I don’t know what it was exactly, maybe the timing of that first CD when it came out it, but that whole record just speaks to me. It’s one of those records I still listen to...something about the way he writes songs translates to the way I felt in life at the time, and it still does. And that’s something you try to capture and recreate and hopefully through your writing you help people through hard times or get people through situations in life. I don’t know if there was ever a specific point where I said, ‘Hey I’m gonna do this for a living,’ but I just enjoyed writing songs and playing. It was a way to get my feet wet -- and I learned a lot playing at the Armadillo. And it was a way into the industry and to see how other people did it, and we learned a lot of stuff in those first couple of years.”

Within a few years Casey had conquered the small club circuit and was packing out larger places like the Fort Worth Horseman’s Club. He released his first independent CD, “Lost Days,” (which included the autobiographical nod to his home turf, “Stockyards,”) and the song quickly became a huge hit for the new band, even among fans who had never visited the Texas city. “Stockyards is one of those songs we started out with. I’ve been to a lot of places, and I’ve never been anywhere quite like the North side of Fort Worth. Its just one of those places…I grew up in all those bars, and there’s such a history down there and it’s something I think everyone can relate to. It’s weird, it seems like we go far from Fort Worth and people still sing that song, it’s one of those things people relate to -- everyone’s got their own Stockyards if you will, their own place they grew up that they remember going to the bars and running the streets and getting into trouble, I guess.”

Around this time, with his wife Melinda spearheading management and booking for the band, Casey impressed the owners of Billy Bob’s enough to land a gig playing the legendary club where he’d attended so many shows as a fan himself. Within two years of his first show there, Casey was drawing nearly 4000 eager fans, and he’s never looked back since.

In 2006 he released a second self-titled CD that included “White Trash Story,” a raucous, redneck story tune that instantly became a fan favorite. He followed that up with a live CD recorded at Bostock’s, (the Stephenville bar that gave Casey one of his first big breaks), then returned to the studio in 2009 to make, “Moving On,” a project described as “rattling, rolling and rumbling like a youthful Robert Earl Keen fronting Reckless Kelly. That project sold an impressive 32,000 copies thanks to his growing legion of fans, as word spread like wildfire among the college crowd about this underground indie sensation. The fans have always been foremost on Casey’s mind as he built his career, and he makes his music with them in mind. For Casey, it’s never been about accolades, or awards, or even major label attention or fawning. It’s simply about the music. And his fans recognize and appreciate that. Taking a page from the live performance playbook of one of his heroes, Pat Green, Casey fuses genuine, honest lyrics with a contagious, take-no-prisoners energy onstage, making sure everyone is along for the ride -- which, more often than not, is a wild one.

“I think we definitely make music for our fans…we don’t worry about much else except making the fans happy and making ourselves happy, and we’ve been real lucky and fortunate in that I think we came along and started this band at a time when social media was really kind of starting to get some legs. And that really made it possible for a band that really didn’t have a lot of radio support to thrive and succeed…you know we were able to keep people interested and with social media they were able to share it with their friends in such a fast way that it really spread the music to a large group of people quicker than it could have ever before.”

His latest studio CD, “Double Wide Dream,” is pretty much right in the wheelhouse of Casey’s previous three…the songs contemplate all the highs and lows of real life, from the heartaches to the belly laughs and everything in between, and the CD is packed full of that unbridled, can-do indie spirit that has rocket-powered his entire career right from the start. From the straight-shooting, hilarity of the leadoff single, “Double Wide Dream,” a redneck’s declaration of love for his hot mess of a wife, to the heartfelt twist of “Give You A Ring,” and the hotter-than-a-jalapeno, Texas-tinged smoker, “One Star Flag,” the tunes on this new CD cover a broad range of material and emotions and showcase a maturity that can only be achieved through lots of living, loving, and losing -- things Casey has no doubt done his fair share of throughout his life and his budding career. And though he can work his way through a tearjerker with the best of ‘em, for Casey, every song doesn’t have to be brain surgery -- it’s OK to laugh and have a good time and let your hair down, as in the case of the hilarious title track, or “White Trash Story II - The Deuce,” a continuation of the tune that has become a fan sensation and instant singalong during his shows.

“Hopefully I’ve grown as a songwriter over the past few years, but I don’t try to get too carried away with it, I don’t want to try to be too serious about everything. “Double Wide Dream” is one of those songs that’s just really fun. Those are songs that provide a little comic relief, and I want people to get out and jump up and down and have fun. Not every song has to change your life, there also has to be entertainment in the world. And I like to think we provide entertainment with those songs. And, I still think of myself as a redneck…I live in the country, I like to be outdoors, and shoot guns, and hunt, and drive trucks, so those are things we write about. This album is really not too far from what we’ve been doing from day one, just a continuation of it, really.”

With the release of what will likely be his biggest album to date, Casey is gearing up for his biggest year ever, playing to packed houses throughout Texas and the Midwest. He’s come a long, long way since those early days on that Armadillo stage, and he still loves to thrill crowds both big and small. But given the choice -- he’ll take the flamethrower approach every time.

“I’m a Bon Jovi fan, and he’s got a documentary called “When We Were Beautiful” that kind of captures Bon Jovi on a completely different level than anyone I even know. But a lot of the things he thinks about the music business translate, and it’s crazy to see somebody who has the success he does have the same kind of anxieties and worries about his music that I think the common musician does. And he had a great quote in that. He’s played lots of little intimate shows, but the shows he loves, are the huge ones. You know he says he’d like to play the desert and sell it out. That’s always stuck with me…I don’t want to play a small place, I want to play the desert and sell it out!”

And though his dream may soon grow much, much larger than a double wide, and reach heights even he couldn’t have imagined, Casey is quite content with all he’s accomplished thus far in this little career that could. “I don’t see anyone coming to make a deal where we’re gonna change what we do. I’m not sure how far we have left to go, hopefully forever, but you know nothing lasts forever, so I’m always mindful of that and prepared that one day this ride could be over. And I’m pretty proud of everything we’ve accomplished. I hope there’s more, but if it were over tomorrow, I could look at my wife and say I was really proud of everything we’ve accomplished. I’m really excited about this record. I think the songs on here are great, and are a big step forward, and the fans, whatever their expectations are, I hope we blow em away!”

Asleep At The Wheel

It all started when Ray Benson, Floyd Domino, and Lucky Oceans, along with a Vermont farm boy named Leroy Preston; Virginian Chris O'Connell; and Gene Dobkin, a bass player and fellow classmate of Benson's from Antioch College in Yellow Springs, Ohio, joined forces. They began with a simple goal: to play and help revive American roots music.

Asleep at the Wheel landed a gig opening for Alice Cooper and Hot Tuna in Washington, DC in 1970. At the height of Vietnam, many Americans were using their choice of music to express their stance on the conflict in southeast Asia. "We wanted to break that mold," said Benson. "We were concerned more with this amazing roots music, which we felt was being lost amid the politics. We were too country for the rock folks and we were too long-haired for the country folks. But everybody got over it once the music started playing."

A year later, they were coaxed into moving to California by Commander Cody, leader of Commander Cody & His Lost Planet Airmen. But, the band’s big break came when Van Morrison mentioned them in an interview with Rolling Stone "there's some relatively unknown group around that I really dig. Asleep at the Wheel, they play great country music." Van Morrison Rolling Stone Interview (1973). The record offers started coming in and The Wheel got rolling.

The musicianship of Asleep at the Wheel has become the stuff of legends. Reuter’s pegged The Wheel as "one of the best live acts in the business." Taking a page from Bob Wills’ book, the band has constantly toured at a national level throughout its history; with anywhere from 7-15 of the finest players Ray Benson could talk into jumping in the bus to play a string of dates. The alumni roster is well over 80+ members, and includes an impressive list of musicians who have gone on to perform with artists such as Bob Dylan, George Strait, Van Morrison, Lyle Lovett, Ryan Adams, and many more. A quick scan of awards, such as "Touring Band of the Year" (CMAs, 1976) and "Lifetime Achievement in Performance" (Americana Music Awards 2009), not to mention near dominance of the GRAMMY "Country Instrumental" category over the years, reflects the reputation of the band’s musicianship. Ray Benson fell in love with western swing because of its unique combination of elements of American blues, swing and traditional fiddling but also for its demanding musical chops. Western swing is what Benson calls "jazz with a cowboy hat," is a thrill to hear live, and thanks in large part to the Wheel’s 40+ years of promotion, is a living and creative genre of music today.

Over their history, Asleep at The Wheel has garnered nine GRAMMY Awards and released more than 25 studio and live albums, and there is no sign of slowing down any time soon.

2015 Marked a big year, with many new faces and a brand new record.